*Digipack CD，Digibook CD and Lathe Cut 12"+7" will be release in the middle of March 2019.
Two albums of jì lú, the new music project after Raflum.
When talking about landscapes in the traditional context, it’s mostly about reclusion. Although true recluses are rare, the mountains and rivers are always there. Ironically, the real landscapes are actually “horrible nature” instead of some leisure place. The traditional landscape paintings are a kind of “tame nature,” which were described as “To observe with meditation, and lie down to experience” and “Sitting in the forest and spring instead of go to banquet” by ancient Chinese poets. It emerge at North and South Dynasty, then become a game of finding the essence during the Five Dynasties and the Song Dynasty, and finally stuck in the static self-development after the Ming and Qing Dynasties. The development of landscape paintings are just like how people detach with the nature and entering urban life. This album is the continuation of this thesis. In a time when the virtual reality are replacing urban life, we attempt to reinterpret this cliche with improvisation that based on the topic of “landscape.” We also naming the songs by minutes and seconds instead of the traditional way of titling the songs, which is based on its imagery. That creates interactive between the “teller” and listener, and reflects the beauties for individuals due to their own aesthetic experiences. At this time, the distant, outmoded, cumbersome and vague image of landscape might leave a huge space for “starting again.”
Instrumental by Liu Zhu (bamboo flute) /Qi Ya (Guitar)
Recorded by Qi Ya at Ningbo、Hanzhou、 in 2016-2018 and Liu Zhu at New York in 2016
Mixed and Mastered by Qi Ya
Artwork and Layout by Qi Ya
Released by Pest Productions