supported by 7 fans who also own “Innocence Leaves”
NONE a opéré un virage dans Where Life Should Be et ça se confirme davantage dans Damp Chill of Life. Le temps des métaphores est révolu : l'humidité froide, c'est celle des larmes qui coulent sur le visage à cause de la dépression. Tout pleure dans cet album : les guitares typées DSBM grésillent, les solos ("The Damp Chill of Life", "It's Painless To Let Go") sont liquides et coulent, les voix prennent à la gorge ; même le piano, étranglé par les sanglots ("Cease"), est aphone. Insoutenable... Jordan Vauvert
supported by 7 fans who also own “Innocence Leaves”
PSA: if there was an album you heard a couple years ago and thought it was ok, listen to it again and you might love it.
That's what happened to me with this album. I cannot fathom why it didn't stick with me back then. Same thing happened with Decoherence's Unitarity for that matter. Matten
supported by 7 fans who also own “Innocence Leaves”
For those of use whose attention span isn't what it was for ambient and who need something more narrative than noise, there is the sub-genre of atmospheric black metal that I'm inclined to call "monolithic". Paysage d'Hiver might be the archetypal example. But if you just want to be consumed by a relentless wall of beautiful air pressure, this is ideal. Luke