supported by 6 fans who also own “Part I (The Gazer)”
Литоургиiа réussit l'impensable : faire entrer le black metal dans l'église orthodoxe. S'il y a une dimension dramaturgique (indissociable de tout office religieux), Литоургиiа reste profond, solennel et touche le sublime.
Après la sortie de cet album a lieu un Grand Schisme et un larcin : Христофор se fait dépouiller de son propre groupe par Барфоломей et Мартин ; tout ce qui reste ici provient de ces deux hérétiques. Suivez la procession de Батюшка ici : https://sphieratz.bandcamp.com/album/- Jordan Vauvert
supported by 5 fans who also own “Part I (The Gazer)”
Majestic, intricate, and atmospheric melodic black metal. The melodies throughout this album are infectious. The vocals are quite varied (there is a wide array of harsh timbres, but there are also pleasing cleans); the guitar work is complex, layered and rich with innovative riffs; the bass sits in a good spot in the mix; the programmed drums are well done; and the keyboards add a mystical grandeur throughout this album. Landon
Straddling the threshold between studio performance and digital technique; the NYC artist applies "fake jazz" principles to synthpop. Bandcamp New & Notable May 2, 2024
Composer, producer, and Folly Group co-leader Laggard salutes early industrial and grime through a hard-hitting, club-focused side project. Bandcamp New & Notable May 2, 2024
supported by 5 fans who also own “Part I (The Gazer)”
I was always intrigued by this group's choice of album covers, it isn't every day that you see high quality space photos in this genre despite the rise of "cosmic" black metal. But the music blew me away, this sounds like Austere took the atmospheric spacey route. (I will assume it's a coincidence that both bands are Australian) porcelainheart-